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CFMAE
Editorial
2014 Editorial
2013 Editorial
January 2012 Editorial
April 2011 Editorial
October 2010
NEW:
Vol.
6 – 2014 Vol.
5 – 2013 Vol.
4 – 2012 Vol.
3 – 2011 Vol.
2 – 2010 Vol.
1 – 2009
Call
for articles
Editorial
board
Issuing
& formatting
Department
of Music
CFMAE
CONTACT: cfmae.journal [at] gmail.com
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Volume
5 – 2013
Volume
5/2
CONTENT
CFMAE
5/2 – 2013
MUSIC,
ART, PHILOSOPHY, PEDAGOGY
Creativity,
musicality and composing Paul
E. Beaudoin What
if?
Kagari
Shibazaki & Nigel A. Marshall A
systematic observation of teacher talk in a musical composition
class: A comparative study between Japan and
England
Philosophy
and teaching methods Timothy
S. Hawkins The
cyclical nature of music education rationales and philosophies:
The influence of the value in music
Arvydas
Girdzijauskas Spiritual
approach to teaching music for children aged 6–12
Performance
anxiety and vocal pedagogy Vaike
Kiik-Salupere Factors
influencing singing students' confidence to sing
Editorial
5/2 - 2013
The
Changing Face of Music and Art Education is a peer-reviewed
journal with an international editorial board. Its aim is to
issue research in the field of music and art education and its
related interdisciplinary fields. As a developing journal, we are
delighted to announce the second issue of the fifth volume of
2013.
The
issue brings together Music, Art, Philosophy, and Pedagogy, and
is divided into three subsections featuring intriguing and
inspiring articles by experienced and emerging (young) scholars.
In Creativity, musicality and composing the
interdisciplinary opening key essay “What if?” offers a
hauntingly open insight into the history and function of
creativity, musicality, and wellbeing in music and art. It
advocates a tolerant attitude towards their understanding and
support in education. The second article in this section observes
the intercultural differences in teacher talk in a musical
composition class based on a comparative study between Japan and
England. Both articles continue our series of issues on
Creativity, Musicality and Wellbeing started in CFMAE 2012 /1–2.
The Philosophy and teaching methods section includes a
contemplation of the cyclical nature of music education
rationales and philosophies and the influence of the value in
music. It is an interdisciplinary study on the spiritual approach
to teaching music for children analyzing their drawings created
while listening to the music of Debussy. The Performance
anxiety and vocal pedagogy section observes factors
influencing singing students' confidence to sing.
CFMAE
is dedicated to serving an international readership with diverse
needs, interests, and concerns addressing the main idea, that
music and art education is constantly in flow, it's changing face
can be traced back in history (yesterday), shape the contemporary
development (today) and will affect the future (tomorrow). The
journal is hosted by Tallinn University Institute of Fine Arts
Department of Music and supported by Tallinn University Research
Fund.
The
editors thank all contributors, evaluators and
supporters.
Editors
of CFMAE Tiina
Selke (Editor-in-Chief) Gerhard Lock (Managing Editor) Marit
Mõistlik-Tamm (Coordinating Editor)
Advisory
Board Raymond
MacDonald (The University of Edinburgh, UK) Nigel Marshall
(Roehampton University, London, UK) Graham Welch (University
of London, UK) Adam Ockelford (Roehampton University, London,
UK) Stefanie Stadler Elmer (University of Zurich,
Switzerland) Paul Beaudoin (Fitchburg State University,
USA)
Editorial
Board Antti
Juvonen (University of Eastern Finland) Stefanie Stadler Elmer
(University of Zurich, Switzerland) Dominik Šedivý
(Paris-Lodron-University Salzburg, Austria) Heikki Ruismäki
(University of Helsinki, Finland) Markku Pöyhönen (JAMK
University of Applied Sciences Jyväskylä, Finland) Jelena
Davidova (Daugavpils University, Latvia) Paul Beaudoin
(Fitchburg State University, USA)
Volume
5/1 Inspiration
and improvisation
CONTENT
CFMAE
5/1 - 2013
MUSIC, EDUCATION, THERAPY
Improvisation
and inspiration Dora
Psaltopoulou-Kamini Music
therapy improvisation as a core family: the potentially unlimited
in inspiration leads to self-anamorphosis
Improvisation
– models and repertoire Jurijs
Spigins Bases
of didactic model of musical improvisation
Larisa
Maļkova Improvisation
as an aspect of axiological approach to the acquisition of piano
playing
Nikolaos
Zafranas Improvising
on the choir repertoire: why including diverse singing material
may enhance performance on other cognitive areas
Musical
abilities, skills, and development Erika
Turmezeyné Heller Developmental
changes in the structure of musical abilities
Sandis
Bārdiņš & Māra Marnauza The
development of motor skills in playing brass instruments
Nora
Lūse Piano
teacher’s professional excellence at higher education
school
Musical
and harmonic hearing Oksana
Šeršņova Learning
strategies for the development of the coordination between 6
year-old children’s vocal apparatus and musical hearing in the
process of singing: case study results
Galina
Zavadska The
analysis of results obtained at diagnosing the development of
prospective music teachers’ harmonic
hearing ONLINE-APPENDIX
ART
AND EDUCATION
Creative
self-actualisation in craft Ene
Lind Possibilities
for creative self-actualisation in craft. Differences and
similarities in handicraft in the 19th and 21st
century
Editorial
5/1 - 2013
The
Changing Face of Music and Art Education
is
a peer-reviewed journal with an international editorial board.
Its aim is to issue research in the field of music and art
education and its related interdisciplinary fields. As a
developing journal we are delighted to announce the first issue
of the fifth volume of 2013 which is devoted to Inspiration and
Improvisation.
The
issue's music section brings together Music, Education, and
Therapy offering several subtopics: Improvisation and inspiration
– the key article opens their potentiality through music
therapy; Improvisation – models and repertoire – these three
thematic articles introduce didactical, axiological, and
performance approaches to improvisation; Musical abilities,
skills, and development – these three articles go into the
structure of musical abilities, motor skills' development in
playing brass instruments, and piano teacher's excellence in
higher education; Musical hearing – two articles explore
musical hearing in the process of singing of 6 year-old children
as well as diagnosing harmonic hearing of prospective music
teachers. The issue's Art and Education section offers an article
on the topic of Creative self-actualisation in craft.
CFMAE
is dedicated to serving an international readership with diverse
needs, interests, and concerns addressing the main idea, that
music and art education is constantly in flow, it's changing face
can be traced back in history (yesterday), shape the contemporary
development (today) and will affect the future (tomorrow). The
journal is hosted by Tallinn University Institute of Fine Arts
Department of Music.
The
editors thank all contributors, evaluators and
supporters.
Editors
of CFMAE
Tiina
Selke (Head of Music Department, Editor-in-Chief) Gerhard Lock
(Managing Editor) Marit Mõistlik-Tamm (Coordinating
Editor)
Advisory
Board
Raymond
MacDonald (The University of Edinburgh, UK) Nigel Marshall
(Roehampton University, London, UK) Graham F. Welch
(University of London, UK) Adam Ockelford (Roehampton
University, London, UK) Stefanie Stadler Elmer (University of
Zurich, Switzerland) Paul Beaudoin (Fitchburg State
University, USA)
Editorial
Board
Nigel
Marshall (Roehampton University, London, UK) Graham F. Welch
(University of London, UK) Adam Ockelford (Roehampton
University, London, UK) Jelena Davidova (Daugavpils
University, Latvia) Kerri Kotta (Estonian Academy of Music and
Theatre, Estonia) Raymond MacDonald (The University of
Edinburgh, UK) Stefanie Stadler Elmer (University of Zurich,
Switzerland) Antti Juvonen (University of Eastern
Finland) Markku Pöyhönen (JAMK University of Applied
Sciences Jyväskylä, Finland) Nora Luse (Riga Teacher
Training and Educational Management Academy, Latvia) Heiki
Ruismäki (University of Helsinki, Finland) Inkeri Ruokonen
(University of Helsinki, Finland) Tiina Selke (Tallinn
University, Estonia) Aleksandra Slahova (Daugavpils
University, Latvia)
© Tallinn University, Institute
of Fine Arts, Department of Music & CFMAE 2013 © Design
by Maite-M. Kotta © CFMAE. Copyright of individual article
content is held by the author(s). 2013
All rights
reserved. No text from this journal may be reproduced or
transmitted in any form or by any means, electronic or
mechanical, including photocopying, recording, or by any
information retrieval systems, without permission in writing from
the text‘s authors. No other part of this journal may be
reproduced or transmitted in any form or by any means, electronic
or mechanical, including photocopying, recording, or by any
information retrieval system, without permission in writing from
CFMAE.
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